When your debut album, “The College Dropout” came out, the thing that people began to associate with you besides music was: Here’s someone who’s going to argue for his place in history; like, “Why am I not getting five stars?”

I think you got to make your case. Seventh grade, I wanted to be on the basketball team. I didn’t get on the team, so that summer I practiced. I was on the summer league. My team won the championship; I was the point guard. And then when I went for eighth grade, I practiced and I hit every free throw, every layup, and the next day I looked on this chart, and my name wasn’t on it. I asked the coach what’s up, and they were like, “You’re just not on it.” I was like, “But I hit every shot.” The next year — I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach — some Grammy, some reviewer, some fashion person, some blah blah blah — they’re all the same as that coach. Where I didn’t feel that I had a position in eighth grade to scream and say, “Because I hit every one of my shots, I deserve to be on this team!” I’m letting it out on everybody who doesn’t want to give me my credit.

And you know you hit your shots.

Yeah — you put me on the team. So I’m going to use my platform to tell people that they’re not being fair. Anytime I’ve had a big thing that’s ever pierced and cut across the Internet, it was a fight for justice. Justice. And when you say justice, it doesn’t have to be war. Justice could just be clearing a path for people to dream properly. It could be clearing a path to make it fair within the arena that I play. You know, if Michael Jordan can scream at the refs, me as Kanye West, as the Michael Jordan of music, can go and say, “This is wrong.”

You’ve won a lot of Grammys.

“[My Beautiful] Dark [Twisted] Fantasy” and “Watch the Throne”: neither was nominated for Album of the Year, and I made both of those in one year. I don’t know if this is statistically right, but I’m assuming I have the most Grammys of anyone my age, but I haven’t won one against a white person.

But the thing is, I don’t care about the Grammys; I just would like for the statistics to be more accurate.

You want the historical record to be right.

Yeah, I don’t want them to rewrite history right in front of us. At least, not on my clock. I really appreciate the moments that I was able to win rap album of the year or whatever. But after a while, it’s like: “Wait a second; this isn’t fair. This is a setup.” I remember when both Gnarls Barkley and Justin [Timberlake] lost for Album of the Year, and I looked at Justin, and I was like: “Do you want me to go onstage for you? You know, do you want me to fight” —

Read the rest of the interview here

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Playboy’s exclusive interview and profile piece also discusses the following information:

• The inside scoop on the violent Hollywood car crash that crushed The D.O.C.’s vocals, and how he went on to write hit songs with some of the greatest rappers of all time
• How The D.O.C. and Dr. Dre made hit records with Eazy-E and NWA
• How The D.O.C. worked with Dr. Dre to make The Chronic
• Why The D.O.C. is considered one of the single most influential people in gangster rap
• Details around how The D.O.C. and his business partner John Huffman IV plan to build the HipHopDraft into a TV show that creates great rap songs with the best new artists in Dallas, Texas and then in other cities around the world.

Additionally, The D.O.C. will release a playlist of his 30 favorite hip hop tracks of all time on Playboy’s Spotify Channel, and will curate Playboy’s Tumblr (playboy.tumblr.com) page for two weeks, all beginning on Tuesday, March 19.

The Combat Jack show airs live on Wednesdays.  If you miss it, you can also check out past shows online at the The Combat Jack Show